Thanks a lot for the comments Don, glad to know you think I am on the right path. I concur greatly with your recent comments on your inability to stick to a single "style", and realise my work can likewise be split into intuitive paintings which are a process and a journey, and secondly the more "realist " works which have a definite goal.
Hola Vicente, las disculpas, pero no puedo entender tus comentarios, mi español es muy malo, por favor, se puede utilizar http://translate.google.com/ #, parece que para traducir a la perfección. Entonces, podemos entender mejor
Hi Vincente, apologies but I can not understand your comments, my spanish is very bad, please can you use http://translate.google.com/# , it seems to to translate perfectly. Then we can understand each other better.
Thanks Linny, I intended the second version (Above) to have more expressive brushstrokes, for the painting to let the medium have more of a natural say. But second version has ended up with less rather than more expressive application, oh well, an opportunity missed.
6 comments:
Simon, this is so evocative. You're pursuing some very subtle and elusive ideas/effects in these recent paintings, and succeeding admirably.
Thanks a lot for the comments Don, glad to know you think I am on the right path. I concur greatly with your recent comments on your inability to stick to a single "style", and realise my work can likewise be split into intuitive paintings which are a process and a journey, and secondly the more "realist " works which have a definite goal.
Simon, you want to come to the essence of the painting.
Painting, painting.
Of there to the abstract fodder that there is few distance.
Hola Vicente, las disculpas, pero no puedo entender tus comentarios, mi español es muy malo, por favor, se puede utilizar http://translate.google.com/ #, parece que para traducir a la perfección. Entonces, podemos entender mejor
Hi Vincente, apologies but I can not understand your comments, my spanish is very bad, please can you use http://translate.google.com/# , it seems to to translate perfectly. Then we can understand each other better.
I like this one, Simon, and I like the way that I'm aware of looking more deeply with this painting.
Thanks Linny, I intended the second version (Above) to have more expressive brushstrokes, for the painting to let the medium have more of a natural say. But second version has ended up with less rather than more expressive application, oh well, an opportunity missed.
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